UA-27561447-1 Red Hot Chili Peppers fans.gr: Δεκεμβρίου 2011

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Τρίτη 20 Δεκεμβρίου 2011

ΕΙΣΙΤΗΡΙΑ Red Hot Chili Peppers



ΧΑΜΟΣ ΣΤΑ TICKET HOUSE ! ΕΙΚΟΝΕΣ ΚΑΙ ΕΙΣΙΤΗΡΙΑ..
*ΣΗΜΕΡΑ 21/12 ΤΑ FOS ΕΙΝΑΙ ΚΑΙ ΠΑΛΙ ΔΙΑΘΕΣΙΜΑ!δείτε παρακάτω λεπτομέρειες.




Σήμερα η πρώτη ημέρα προπώλησης των εισιτηρίων! Απο νωρίς το πρωί, όλοι όσοι αδημονούσαν να πάρουν το "μαγικό χαρτάκι" στα χέρια τους, βρέθηκαν στα Ticket House (χαμός)! 
Η ουρά ξεπέρασε τη  Ναυαρίνου γωνία !


Όλοι όσοι προνόησαν, επέλεξαν θέση front of stage...Οπως ήταν αναμενόμενο, τα εισητήρια για τις μπροστινές θέσεις (όρθιων FOS) εξαντλήθηκαν απο την πρώτη μέρα.*21/12 ξαναβγήκαν στην αγορά!...Επίσης, υπάρχει ακόμα η επιλογή για τις θύρες 7,9,11 ή Arena όρθιοι... Μακάρι να διατεθούν και άλλα FOS στην πορεία.Συμβαίνει συχνά αυτό απο διάφορες αλλαγές που γίνονται στη πορεία.
*Σήμερα 21/12 ta FOS είναι και πάλι διαθέσιμα.

Ας θυμηθούμε:
Ticket House Αθήνας, Πανεπιστημίου 42 (Εντός Στοάς) Τηλ: 210 3608366
Ticket House Θεσσαλονίκης, Μητροπόλεως102 Τηλ: 2310 264880
 Ωράριο :Δ-Π 10:30-21:00 Σάβ: 10:30-16:00 

  Φυσικά υπάρχει και η επιλογή της αγοράς εισιτηρίων απο το διαδίκτυο. Για όσους είναι μακριά η διάθεση ξεκίνησε ήδη στο Ticket Pro.Ισχύουν διαφορετικές τιμές απο αυτές που είχαμε αναφέρει εδώ για την online αγορά. Δείτε πώς διαμορφώνονται οι τιμές και αγοράστε online απο το Ticketpro :

Price level 5/ 82,5 ευρώ αγοράστε  εδώ
Standing Front of stage/ Ορθιοι μπροστά στη σκηνή  ΔΙΑΘΕΣΙΜΟ εδώ
Price level 4/ 71,5 ευρώ αγοράστε εδώ 
Price level 3/ 49,5 ευρώ αγοράστε εδώ
Standing / 49,5 ευρώ αγοράστε  εδώ 
Price level 1/ 38,5 ευρώ αγοράστε   εδώ 

  Απο συζητήσεις στην ομάδα μας εδώ αλλά και στη σελίδα εδώ είδα πως κάποιοι ανησυχούν ! Σας υπενθυμίζω πως το στάδιο είναι τεράστιο!


Θεατές 69.618
Σουίτες επισήμων 14
Σουίτες για τηλεοπτικές μεταδόσεις 2
Θέσεις δημοσιογράφων (γραπτού-ηλεκτρονικού τύπου) 480
Είσοδοι (arena) 2
Parking 3
Σουίτα ασφαλείας 1

*Σήμερα  21/12 αποφάσισα να πάω στο Ticket house στην Πανεπιστημίου για να πάρω δύο FOS εισιτήρια επιπλέον ( χθές αγοράσαμε online ).Η εικόνα ήταν αυτή :

Το εισιτήριό μου είναι το # 1415...
Όπως καταλαβαίνετε δεν υπάρχει λόγος να πανικοβάλλεστε αν δεν πήγατε ακόμα.
Εγώ μετάνιωσα που δεν πήγα χθές !Αφησα την "τρομοκρατία" του Internet να με παρασύρει γ@μώτο! Την επόμενη φορά θα στηθώ κι εγώ στη ουρά!!

21/12/2011
Tα εισιτήρια στοTicket house:

(θύρες 1,35,2,34):35 ευρώ
(Pitch - Αρένα):45 ευρώ

(θύρες4,6,30,32):45 ευρώ

(θύρες3,5,8,10,12,24,26,28,31,33):65 ευρώ

(θύρες7,9,11,13Α,23B,25,29):75
(Pitch-FrontofStage):75 *ΞΑΝΑ ΕΜΦΑΝΙΣΤΗΚΕ ΣΗΜΕΡΑ 21/12!!





ΕΙΚΟΝΑ ΜΕΣΑ ΑΠΟ ΤΟ ΣΤΑΔΙΟ:



ΡΑΝΤΕΒΟΥ ΣΤΟ ΟΑΚΑ !

Παρασκευή 16 Δεκεμβρίου 2011

"ΜΙΛΗΣΤΕ" ΣΤΟΥΣ RED HOT CHILI PEPPERS

Τί έχετε να πείτε τώρα που οι Red Hot Chili Peppers έρχονται στην Ελλάδα;;



  Μία πολυ καλή ιδέα (αν δεν το έχετε κάνει ήδη) είναι το να κάνετε εγγραφή στο "community" του official site των Red Hot Chili Peppers.'Ετσι θα συμμετέχετε ενεργά με τα σχόλια σας, σε κάθε ανακοίνωση που σας ενδιαφέρει.Είναι ευκαιρία τώρα που ανακοινώθηκε η συναυλία στην Ελλάδα!
  Ας δείξουμε στους Red Hot Chili Peppers πόσο τους αγαπάμε, κάνοντας τα καλύτερα σχόλια στο site τους! Εγώ θα ήθελα να πώ πολλά,αλλά αρκέστηκα σε ένα μικρό και διακριτικό σχόλιο "FINALLY!! ΕΥΧΑΡΙΣΤΟΥΜΕ" 

  Κατα τ'άλλα θα ήθελα να ξέρουν ότι...
  •  Τους λατρεύω
  • Τα εισιτήρια είναι σε πολύ προσιτές τιμές
  • Τους περιμένω χρόνια τώρα 
  • Ενιωθα χάλια που είχαν ταξιδέψει σχεδόν παντού εκτός απο εδώ...κ.α ! 

Ίσως τα "πούμε" απο κοντά την ημέρα της συναυλίας (ποτέ δεν ξέρεις) !!

*Ευχαριστώ τον Στέλιο Χ. για τις ιδέες του!

Εάν σας αρέσει η ιδέα (εγγραφή και συμμετοχη στο community) μπείτε αμέσως ΕΔΩ  




ΕΠΙΣΗΜΑ ΟΙ RED HOT CHILI PEPPERS ΣΤΗΝ ΕΛΛΑΔΑ κ.α

*ΜΟΛΙΣ ΤΩΡΑ ΑΝΑΚΟΙΝΩΘΗΚΕ Η ΣΥΝΑΥΛΙΑ ΤΩΝ RHCP ΣΤΗΝ ΕΛΛΑΔΑ, ΣΤΟ OFFICIAL ! ΔΕΙΤΕ ΑΜΕΣΩΣ ΕΔΩ

  Μετά απο αυτή την ευχάριστη/υπέροχη/συνταρακτική αλλά και αναμενόμενη είδηση, ξεκινώ με το σχετικό REMINDER...( Βασικά, δεν μπορώ τώρα! είχα σκοπό με αυτό το άρθρο να κοινοποιήσω πληροφορίες για τα events του Δεκεμβρίου, που κατα τη γνώμη μου αξίζει να σημειωθούν....Το παραπάνω ανακοινωθέν όμως αυτή τη στιγμή με έχει πάει ...ΑΛΛΟΥ !!! Είναι πραγματικά συγκινητικό,κάθομαι και χαζεύω την οθόνη, μαγική στιγμή και μπροστά μου....GREECE... είναι στο site τους...μας έβαλαν στο πρόγραμμα και χαίρομαι,το κοιτάζω ξανά και ξανά!
  Kαποιοι τους περίμεναν κάθε χρόνο, εγώ είπα πως θα ανακοινωθεί ή τώρα ή ποτέ. Γι'αυτό το λόγο ξεκινήσαμε με τον Μπάμπη και την Αθηνά την ομάδα στο facebook, γι'αυτό και τη σελίδα και το blog περίπου την ίδια στιγμή.Oλα μαζί μετρούν 3 μήνες λειτουργίας...και απο την πρώτη ημέρα τα θέματά μας ήταν επι της ουσίας...θέλαμε να έρθουν και θα έρθουν! Θα έρθουν για να τους απολαύσουμε ΟΛΟΙ...
  'Ολοι εμείς που τόσα χρόνια περιμέναμε να έρθουν,όλοι εμείς που ταξιδέψαμε για να τους δούμε και όσοι "μεγάλωσαν" μαζί τους, επιτέλους θα τους απολαύσουμε στη χώρα μας!
Σήμερα νιώθουμε οfficialy δικαιωμένοι, ΟΛΟΙ...)
  Επανήλθα, συνεχίζω με τις συναυλίες....   :)



4 Σεπτεμβρίου 2012 οι Red Hot Chili Peppers για πρώτη φορά στην Ελλάδα! Ο.Α.Κ.Α, Αθήνα
Δείτε εδώ για λεπτομέρειες και εισιτήρια..τα είπαμε όλα στα δύο προηγούμενα άρθρα μας! 
  

ΗΜΕΡΟΛΟΓΙΟ ΣΥΝΑΥΛΙΩΝ ΠΟΥ ΜΑΣ ΕΝΔΙΑΦΕΡΟΥΝ 



16 Δεκεμβρίου οι Hooverphonic στο Principal,Θεσσαλονίκη
17 Δεκεμβρίου στο Fuzz,Αθήνα
Δειτε εδώ για εισιτήρια



16 Δεκεμβρίου οι Χαίνηδες στο Fuzz,Αθήνα

Δείτε εδώ για εισιτήρια                 




16 Δεκεμβρίου οι Penny and the Swingin' Cats στο Floral,Αθήνα
Δείτε εδώ για εισιτήρια




        16 Δεκεμβρίου οι Cloc στο Lazy Club,Αθήνα
Δείτε εδώ για εισιτηρια


17 Δεκεμβρίου ο Δημήτρης Κοργιαλάς και οι Lexicon Project 
στο Μύλο, Θεσσαλονίκη

                                                             Δείτε εδώ για εισιτήρια



17 Δεκεμβρίου Ορφέας Περίδης (τελευταία εμφάνιση) στην Αυλαία,Αθήνα


Δείτε εδώ για εισιτήρια


18 Δεκεμβρίου ο Μιχάλης Χατζηγιάννης στη Στέγη Γραμμάτων και Τεχνών Ιδρυματος Ωναση,Αθήνα

Δειτε εδώ για εισιτήρια (20,40,60 ευρώ)




18 Δεκεμβρίου τα Γυμνά καλώδια στο Tithora Club,Αθήνα
Δείτε εδώ λεπτομέρειες


                                             ΣΥΝΕΧΙΖΕΤΑΙ...εδώ

Πέμπτη 15 Δεκεμβρίου 2011

Οι Red Hot Chili Peppers στο Ο.Α.Κ.Α

   Στην οικογένειά μου πάντα υπήρχε μεγάλο ενδιαφέρον για τη μουσική.Το 1995 λοιπόν, βρήκα τυχαία μέσα στο σπίτι το "One Hot Minute" σε βινύλιο.Ήμουν 8 ετών τότε,το έβαλα στο πικ-απ και το βρήκα απλά "υπέροχο", σήμερα θα το έλεγα "εξαιρετικό"!
  Εννοείται πως ήθελα να ακούσω κι άλλα υπέροχα τραγούδια γι'αυτό και έσπευσα να ζητήσω από τον Αη-Βασίλη, CDs των Peppers δώρο για τα Χριστούγεννα (έτσι απέκτησα το "Blood Sugar Sex Magik" και το "Freaky Styley" εν μία νυκτί).
  Ακολούθησαν οι βιντεοκασέτες,το φωτογραφικό υλικό,οι συνεντεύξεις,οι συναυλίες,το ατελείωτο jamming,οι χοροί και το ξανθό μαλλί του Anthony...(1999 Californication)....


12 ΧΡΟΝΙΑ ΜΕΤΑ......
( θα γράψω με κεφαλαία απο τη χαρά μου )

ΕΡΧΟΝΤΑΙ ΣΤΗΝ ΕΛΛΑΔΑ ! ΤΟ ΓΕΓΟΝΟΣ ΠΟΥ ΦΑΝΤΑΖΟΜΟΥΝ, ΠΕΡΙΜΕΝΑ-ΚΑΙ ΚΑΠΟΙΟΙ ΕΠΑΙΖΑΝ ΜΕ ΤΟ ΠΟΝΟ ΜΟΥ ΔΙΑΣΥΡΟΝΤΑΣ ΤΟ ΚΑΘΕ ΧΡΟΝΟ-ΕΠΙΤΕΛΟΥΣ ΕΙΝΑΙ ΕΙΔΗΣΗ ! ΕΥΧΑΡΙΣΤΩ ΟΣΟΥΣ ΜΑΣ ΥΠΟΣΤΗΡΙΞΑΝ ΣΤΗ ΔΗΜΙΟΥΡΓΙΑ ΤΗΣ ΟΜΑΔΑΣ  Θελω συναυλια των Red Hot Chili Peppers στην Ελλαδα (RHCP in Greece) στο facebook, ΕΥΧΑΡΙΣΤΩ ΚΑΙ ΟΣΟΥΣ ΔΙΑΒΑΖΟΥΝ ΑΥΤΗ ΤΗ ΣΤΙΓΜΗ ΑΥΤΟ ΤΟ ΑΡΘΡΟ! 
Εμείς ενημερώσαμε τους φίλους μας απο χθές, εδώ : RHCP IN GREECE αλλά και εδώ : Red Hot Chili Peppers fans.gr!!

Η ΕΊΔΗΣΗ για όσους θέλουν να την ξαναδούν έχει ως εξής :  

"Η Live Nation και η Big Star Touring παρουσιάζουν τους Red Hot Chili Peppers-LIVE στο Ολυμπιακό Στάδιο ΟΑΚΑ την Τρίτη 4 Σεπτεμβρίου 2012"

RED HOT CHILI PEPPERS 
Η προπώληση των εισιτηρίων για το ροκ υπερθέαμα του 2012 ξεκινά την Τρίτη 20 Δεκεμβρίου 2011.Συγκεκριμένα, οι αγορές εισιτηρίων θα ξεκινήσουν ταυτόχρονα online  από τα www.ticketpro.gr  και στα εκδοτήρια του Ticket House, στις 10:30 π.μ.

Οι τιμές εισιτηρίων διαμορφώνονται ως εξής:
PL1 (θύρες 1,35,2,34): 35 ευρώ
PL2 (Pitch - Αρένα): 45 ευρώ
PL3 (θύρες 4,6,30,32): 45 ευρώ
PL4 (θύρες 3,5,8,10,12,24,26,28,31,33): 65 ευρώ
PL5 (θύρες 7,9,11,13Α,23B,25,29):75 ευρώ
PL6 (Pitch-Front of Stage): 75 ευρώ




 Διατίθεται περιορισμένος αριθμός εισιτηρίων στις ΡΑ & ΡΒ. Για περισσότερες πληροφορίες απευθυνθείτε στο ταμείο του Ticket House.


TICKET HOUSE

Πανεπιστημίου 42 (εντός της στοάς),Αθήνα

Τηλέφωνο Επικοινωνίας: 210 3608 366



Ωράριο Λειτουργίας
Δευτέρα – Παρασκευή: 10:30 – 21:00
Σάββατο: 10:30 – 16:00

Online Sales:
Για αγορές μέσω διαδικτύου με πιστωτική κάρτα, 24 ώρες/ωρο:


  

Τετάρτη 14 Δεκεμβρίου 2011

ΕΡΧΟΝΤΑΙ ΟΙ RED HOT CHILI PEPPERS ΣΤΗΝ ΕΛΛΑΔΑ!

  ΑΥΡΙΟ Η ΜΕΓΑΛΗ ΑΝΑΚΟΙΝΩΣΗ! 

Το όνειρο κάθε Rocker (και όχι μόνο) επιτέλους θα γίνει πραγματικότητα! Η πληροφορία κατέφθασε σήμερα απο τον αγαπητό αρχισυντάκτη του "Mix Grill.gr" Γιώργο Μπαλιώτη.Όπως ήδη γνωρίζoυμε το μόνο που έμενε να συμφωνηθεί ήταν η διοργανώτρια εταιρία...Σύμφωνα με την πηγή μας λοιπόν,την συναυλία θα την διοργανώσει η DiDi music η οποία μετράει χρόνια εμπειρίας στο χώρο και απεδείχθη καταλληλότερη (σε προηγούμενο άρθρο έχω αναφέρει τα "μεγάλα" ονόματα που έχουμε απολαύσει χάρη στη DiDi).
Ολες οι πληροφορίες βρίσκονται στο newsletter της εταιρίας,η οποία λέει πως θα κοινοποιήσει την είδηση αύριο 15/12 στις 14:00 το μεσημεράκι...Οπότε αφενός μεν, μάθαμε και πάλι νωρίτερα τα νέα,αφετέρου θα πρέπει να περιμένουμε άλλες 14 περίπου ώρες για την επίσημη ανακοίνωση!Εχουμε υπομονή μιας και τους περιμένουμε ήδη χρόνια ολόκληρα!! Δείτε τα links παρακάτω,παραθέτω και της DiDi για όποιον θέλει να το δεί πρώτος αύριο!Θα το δούμε και απο το official των Peppers φυσικά...


*Στο group μας θα συζητηθούν ιδέες για το καλωσόρισμα του συγκροτήματος, μην ξεχάσετε να postaρετε και τη δική σας αν η ιδέα απαιτεί ομαδικό πνεύμα και συνεργασία!


            DiDi MUSIC                    Mix Grill            θελω συναυλια των RHCP...            








Δευτέρα 12 Δεκεμβρίου 2011

JOHN A. FRUSCIANTE

   On December 7, 2011, the Red Hot Chili Peppers were named 2012 inductees for the Rock And Roll Hall Of Fame. In an interview that same day, Anthony Kiedis talked about Frusciante and if he would attend to ceremony. Kiedis said he didn't think Frusciante would attend although you never know. He said hasn't talked to Frusciante in a while although and didn't know where he was at these days...Kiedis said, obviously he would be more than welcome to attend and embraced if he does. If he doesn't, that's cool too. Flea also spoke about Frusciante by saying “He left us so many great gifts. He’s a phenomenal musician and songwriter who gave so much to our band. All the feelings I have for him not being in the band any more... He really took us to a higher level”.

Let's see WHO is John Frusciante...

John Anthony Frusciante was born on March 5, 1970 in Queens,New York.He is an American guitarist, singer, songwriter, record and film producer but best known as the former lead guitarist of the Red Hot Chili Peppers,with whom he had been for a number of years and recorded five studio albums. His father, was a pianist, and his mother was a promising vocalist who gave up her career to be a stay-at-home mother.Frusciante's family moved to Tucson, Arizona, and then Florida, where his father served as Broward Country judge.Then his parents separated, and he moved with his mother to Santa Monica, California. A year later, Frusciante and his mother moved to Mar Vista, Los Angeles with his new stepfather who, he says, "really supported me and made me feel good about being an artist. Like many young people in the area, he became intimately involved in the L.A. punk rock scene. At nine he was infatuated with The Germs, wearing out several copies of their record . By ten, he had taught himself how to play most of (GI)'s songs. He has stated that he didn't really know what he was doing, and that he would play every chord with a single-finger barre.

Frusciante began studying guitarists like Jeff Beck, Jimmy Page, David Gilmour and Jimi Hendrix at eleven. After mastering the blues scale, he discovered Frank Zappa, whose work he would study for hours.He dropped out of high school at sixteen with the permission of his parents and completion of a proficiency test. With their support, he moved to Los Angeles in order to develop his musical proficiency. He began taking classes at the Guitar Institute of Technology, but turned to punching in without actually attending and left shortly thereafter. Frusciante first attended a Red Hot Chili Peppers performance at fifteen and he rapidly became a devoted fan.He idolized guitarist Hillel Slovak—familiarizing himself with virtually all the guitar and bass parts from the Chili Peppers' first three records.   Frusciante became friends with former Dead Kennedys drummer D. H. Peligro in early 1988. They often jammed together, and Peligro invited his friend Flea (bassist of Red Hot Chili Peppers) to join. Frusciante and Flea developed a musical chemistry immediately, with Flea later acknowledging that might have been the day he first played the bass riff to "Nobody Weird Like Me". Around the same time, Frusciante intended to audition for Frank Zappa's band, but changed his mind before the final try-out as Zappa strictly prohibited illegal drug use. Frusciante said, "I realized that I wanted to be a rock star, do drugs and get girls, and that I wouldn't be able to do that if I was in Zappa's band".

Slovak died of a heroin overdose in 1988, and Red Hot Chili Peppers drummer Jack Irons, incapable of coping with Slovak's death, left the group. Remaining members Flea and vocalist Anthony Kiedis regrouped, determined to persevere. The pair added Peligro on drums and DeWayne "Blackbyrd" McKnight, formerly of P-Funk, on guitar. McKnight, however, failed to connect musically within the group. Flea proposed auditioning Frusciante, whose intimate knowledge of the Chili Peppers' repertoire astonished him. Flea and Kiedis auditioned him and agreed that he would be a suitable replacement for McKnight, who was promptly fired. When Flea called Frusciante with the news of his acceptance into the Chili Peppers, Frusciante was elated; he ran through his house screaming with joy, and jumped on a wall, leaving permanent boot marks. He was in the midst of signing a contract with Thelonious Monster at the time—and had actually been playing with the act for two weeks—but his unanticipated reception into the Chili Peppers prompted him to change his plans. However, Frusciante was not familiar with the funk genre of Red Hot Chili Peppers' sound: "I wasn't really a funk player before I joined the band. I learned everything I needed to know about how to sound good with Flea by studying Hillel's playing and I just took it sideways from there."

Several weeks into the band's new lineup, Peligro, whose performance was suffering due to extreme drug abuse, was fired. Soon after, Chad Smith was added as the group's new drummer and the new lineup began recording their first album, 1989's Mother's Milk. Frusciante focused on emulating Slovak's signature style, rather than imposing his own personal style on the group. Producer Michael Beinhorn disagreed, and wanted Frusciante to play with an uncharacteristic heavy metal tone, largely absent from the band's three preceding records. Frusciante and Beinhorn fought frequently over guitar tone and layering, and Beinhorn's idea ultimately prevailed as Frusciante felt pressured by the producer's much greater knowledge of the studio. Kiedis recalls that Beinhorn wanted John to have a big, crunching, almost metal-sounding guitar tone whereas before we always had some interesting acid-rock guitar tones as well as a lot of slinky, sexy, funky guitar tones.    The Chili Peppers collaborated with producer Rick Rubin for their second record with Frusciante, Blood Sugar Sex Magik. Rubin felt that it was important to record the album in an unorthodox setting, so he suggested an old Hollywood Hills mansion, and the band agreed. Frusciante, Kiedis and Flea isolated themselves there for the duration of the recording. Frusciante and Flea seldom went outside, and spent most of their time smoking marijuana. Around this time, Frusciante started a side collaboration with Flea and Jane's Addiction drummer Stephen Perkins called The Three Amoebas. They recorded roughly ten to fifteen hours of material, none of which has ever been released.

Blood Sugar Sex Magik was hugely successful upon its release on September 24, 1991. It peaked at number three on the Billboard charts, and went on to sell thirteen million copies worldwide.The unexpected success instantly turned the Red Hot Chili Peppers into rock stars. Frusciante was blindsided by his newfound fame, and struggled to cope with it. Soon after the album's release, he began to develop a dislike for the band's popularity. Kiedis recalled that he and Frusciante used to get into heated discussions backstage after concerts: John would say, "We're too popular. I don't need to be at this level of success. I would just be proud to be playing this music in clubs like you guys were doing two years ago". Frusciante later said that the band's rise to popularity was "too high, too far, too soon,everything seemed to be happening at once and I just couldn't cope with it". He also began to feel that destiny was leading him away from the band. When the Chili Peppers began their world tour, he started to hear voices in his head telling him "you won't make it during the tour, you have to go now’’. Frusciante admitted to having once taken great pleasure in hedonism; however, "by the age of twenty, I started doing it right and looking at it as an artistic expression instead of a way of partying and screwing a bunch of girls. To balance it out, I had to be extra-humble, extra-anti-rock star". He refused to take the stage during a performance at Tokyo's Club Quattro on May 7, 1992, telling his bandmates that he was leaving the band. He was persuaded to perform, but left for California the next morning; according to the guitarist, "it was just impossible for me to stay in the band any longer. It had come to the point where even though they wanted me in the band, it felt like I was forced out of the band. Not by any members in particular or management in particular, but just the direction it was going".
Upon returning to California in 1992, Frusciante entered a deep depression, feeling that his life was over and that he could no longer write music or play guitar.For a long time, he focused on painting, producing 4-track recordings he had made while working on Blood Sugar Sex Magik, and writing short stories and screenplays. To cope with his worsening depression, Frusciante increased his heroin use and spiraled into a life-threatening dependency.His use of heroin to medicate his depression was a clear decision: "I was very sad, and I was always happy when I was on drugs; therefore, I should be on drugs all the time. I was never guilty—I was always really proud to be an addict.Although he openly admitted to being a "junkie", he believed drugs were the only way to corrupt his soul.   Frusciante released his first solo album Niandra Lades and Usually Just a T-Shirt, on March 8, 1994. Despite the common belief that most of the tracks were recorded while he was strung out on heroin in his home in the Hollywood Hills, Frusciante has said that "That album was not recorded when I was aheroin addict. It was released when I was a heroin addict."   
The first half of Niandra Lades and Usually Just a T-Shirt was recorded shortly after the completion of Blood Sugar Sex Magik; the second half between late 1991 and early 1992, during the album's tour. "Running Away Into You" is the only track recorded after he left the Chili Peppers. The album is a heavily experimental avant-garde composition whose initial purpose was spiritual and emotional expression: "I wrote the record because I was in a really big place in my head—it was a huge, spiritual place telling me what to do. As long as I'm obeying those forces, it's always going to be meaningful. I could be playing guitar and I could say 'Play something that sucks' and if I'm in that place, it's gonna be great. And it has nothing to do with me, except in ways that can't be understood".   Frusciante further asserted that the album was meant to be experienced as a cohesive unit rather than separate entities or songs.'Niandra Lades' and 'Usually Just a T-Shirt' was released on Rick Rubin's label American Recordings. Warner Bros., the Chili Peppers' label, owned rights to the album because of the leaving-artist clause in Frusciante's Chili Peppers contract. However, because he was reclusive, the label gladly handed the rights over to Rubin, who released the album at the urging of Frusciante's friends.  
An article in the New Times LA described Frusciante as "a skeleton covered in thin skin" who at the nadir of his addictions nearly died from a blood infection. His arms became fiercely scarred from improperly shooting heroin and cocaine, leaving permanent abscesses. He spent the next three years holed up in his Hollywood Hills home, the walls of which were badly damaged and covered in graffiti. During this time, his friends Johnny Depp and Gibby Haynes went to his house and filmed an unreleased documentary short called Stuff, depicting the squalor in which he was living. 


The house was eventually destroyed by a fire that claimed his vintage guitar collection along with several recorded tapes of music and left him with serious burns after he narrowly escaped.   Frusciante released his second solo album, 'Smile from the Streets You Hold', in 1997. The album's first track, "Enter a Uh", was largely characterized by cryptic lyrics and hysterical screeches. Frusciante also coughs throughout the track, showcasing his deteriorating health. By his own admission, the album was released in order to get "drug money"; he withdrew it from the market in 1999.  

In late 1997, after more than five years of addiction to heroin, Frusciante quit it cold turkey. However, months later he was still unable to break addictions to crack cocaine and alcohol.In January 1998, urged by longtime friend Bob Forrest, Frusciante checked into Las Encinas, a drug rehabilitation clinic in Pasadena, to begin a full recovery. About a month later, Frusciante checked out of Las Encinas and reentered society.Fully recovered and once again healthy, Frusciante began living a more spiritual, ascetic lifestyle. He changed his diet, becoming more health-conscious and eating mostly unprocessed foods.Through regular practice of vipassana and yoga, he discovered the effect that self-discipline has on the body. To maintain his increased spiritual awareness and reduce distraction from his music, Frusciante decided to abstain from sexual activity stating: "I'm very well without it". All of these changes in his life have led him to a complete change in his attitude toward drugs. In early 1998, the Red Hot Chili Peppers fired guitarist Dave Navarro and were on the verge of breaking up. Flea told Kiedis, "the only way I could imagine carrying on with the Red Hot Chili Peppers is if we got John back in the band". With Frusciante free of his addictions and ailments, Kiedis and Flea thought it was an appropriate time to invite him back. When Flea visited him at his home and asked him to rejoin the band, Frusciante began sobbing and said "nothing would make me happier in the world". With Frusciante back on guitar, the Chili Peppers began recording their next album,Californication,released in 1999. Frusciante's return restored a key component of the Chili Peppers' sound, as well as a healthy morale. He brought with him his deep devotion to music, which had an impact on the band's recording style during the album. Frusciante has frequently stated that his work on Californication was his favorite.
  
During the Californication world tour, Frusciante continued to compose his own songs, many of which would be released in 2001 on his third solo album To Record Only Water for Ten Days. The album was stylistically unlike his previous records, less markedly stream-of-consciousness or avant-garde. However, the lyrics were still very cryptic and its sound was notably stripped down. The songwriting and production of To Record Only Water for Ten Days were more efficient and straightforward than on his previous recordings. The album strayed from the alternative rock he had just written with the Chili Peppers on Californication, focusing more on electronic and New Wave elements.In addition to his guitar work, Frusciante experimented with a variety of synthesizers, a distinctive feature of the record.   In 2001, Frusciante began recording his fourth album with Red Hot Chili Peppers, By the Way (2002); he considered the time to be among the happiest in his life. He relished the chance the album gave him to "keep writing better songs". While working on By the Way, he also composed most of what would become Shadows Collide with People, as well as the songs created for the movie The Brown Bunny. His goal to improve his guitar playing on the album was largely driven by a desire to emulate guitar players such as Andy Partridge, Johnny Marr and John Mc Geoch; or as he put it, "people who used good chords".The album marked Frusciante's shift to a more group-minded mentality within the Chili Peppers, viewing the band as a cohesive unit rather than as four separate entities.  
 
Frusciante wrote and recorded a plethora of songs during and after the By the Way tour. In February 2004, he started a side project with Joe Lally of Fugazi and Josh Klinghoffer, called Ataxia. The group was together for about two weeks, during which they recorded about ninety minutes of material. After two days in the recording studio, they played two shows at the Knitting Factory in Hollywood, and spent two more days in the studio before disbanding. Later that year, five songs provided by Frusciante appeared on The Brown Bunny soundtrack. Frusciante released his fourth full-length solo album Shadows Collide with People on February 24, 2004. This featured guest appearances from some of his friends, including Klinghoffer, and Chili Peppers bandmates Smith and Flea. In June 2004, he announced that he would be releasing six records over six months:The Will to Death, Ataxia's Automatic Writing, DC EP, Inside of Emptiness, A Sphere in the Heart of Silence and Curtains. With the release of Curtains Frusciante debuted his only music video of 2004, for the track "The Past Recedes". He wanted to produce these records quickly and inexpensively on analog tape, avoiding modern studio and computer-assisted recording processes. Frusciante noted, "These six records were recorded in a period of six months after coming home from touring with the Chili Peppers for one-and-a-half years. I made a list of all the songs I had and they totaled about seventy. My objective was to record as many songs as I could during the break that I had. In the midst of doing that, I was writing some of my best songs, so some of these albums have as many new songs as old songs. It was definitely the most productive time of my life”.
In early 2005, Frusciante entered the studio to work on his fifth studio album with the Chili Peppers, Stadium Arcadium. His guitar playing is dominant throughout the album, and he provides backing vocals on most of the tracks. Although usually following a "less is more" style of guitar playing, he began using a full twenty-four track mixer for maximum effect.In the arrangements, he incorporates a wide array of sounds and playing styles, from the funk-influenced Blood Sugar Sex Magik to the more melodic By the Way. He also changed his approach to his playing, opting to contribute solos and allow songs to be formed from jam sessions. Several reviews have stressed that the influence of Hendrix is evident in his solos on the album, with Frusciante himself backing this up. He also expanded the use of guitar effects throughout the album, and used various other instruments such as the synthesizer and mellotron. He worked continuously with Rubin over-dubbing guitar progressions, changing harmonies and using all his technical resources.   Frusciante began a series of collaborations with friend Omar Rodríguez-López and his band The Mars Volta, by contributing guitar and electronic instrumentation to song "Cicatriz ESP" of their album De-Loused in the Comatorium. He also contributed guitar solos on their 2005 album Frances the Mute.In 2006, he helped The Mars Volta complete their third album Amputechture by playing guitar on seven of its eight tracks.In return, Rodriguez-Lopez has played on several of Frusciante's solo albums, as well as making a guest appearance on Stadium Arcadium. Ataxia released its second and final studio album, AW II in 2007. Following the Stadium Arcadium tour (early May 2006 to late August 2007), the Red Hot Chili Peppers agreed to a hiatus of indefinite length. In early 2008, Anthony Kiedis finally confirmed this, citing exhaustion from constant work since Californication as the main reason. Frusciante quit the group during this period, but did not publicly announce his departure until December 2009, two months after the band ended their hiatus in October 2009 and began work on their next album with Josh Klinghoffer as their new guitarist.  
Frusciante's tenth solo album, The Empyrean, was released on January 20, 2009 through Record Collection. The record—a concept album—was in production between December 2006 and March 2008. The Empyrean features an array of musicians including Frusciante's ex-Chili Peppers bandmate Flea, friends Josh Klinghoffer and former Smiths guitarist Johnny Marr, as well as guest musicians including Sonus Quartet and New Dimension Singers. Frusciante stated: "I'm really happy with the record and I've listened to it a lot for the psychedelic experience it provides,"suggesting the album is“to be played as loud as possible and is suited to dark living rooms late at night”.
After the release of The Empyrean, Frusciante continued to collaborate with other artists. Along with continuing to provide guitar work to The Mars Volta's studio albums, The Bedlam In Goliath, andOctahedron, Frusciante also began an electronic duo with Aaron Funk under the name Speed Dealer Moms.Their first EP was released in December 2010.Along with Speed Dealer Moms, Frusciante also provided guitar for Swahili Blonde, a project of percussionist/vocalist Nicole Turley.The project released its debut album Man Meat in 2010. That same year, Frusciante functioned as executive producer for Omar Rodríguez-López's directorial film debut, The Sentimental Engine Slayer. The film debuted at the Rotterdam Film Festival in February 2010. Along with work on the film, Frusciante and Rodríguez-López have released two collaborative records in May 2010. The first is the album Omar Rodriguez-Lopez & John Frusciante,an album with just the two of them, the other a quartet record, Sepulcros de Miel, consisting of Omar Rodríguez-López, Juan Alderete, Marcel Rodríguez-López, and Frusciante. Frusciante also contributed music to the documentary film, Little Joe, based upon Joe Dallesandro.
   

In 2011, Frusciante contributed guitar to the song "Prends-moi" on the album Ring n' Roll by French singer Catherine Ringer, and provided guitar for Swahili Blonde's second studio album, Psycho Tropical Ballet Pink...

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